Case Study
Round the Dock 2026 — Canada Water
Event photography for Round the Dock, Canada Water's six-week free summer festival — Spit Night on the floating stage, a Norman Jay MBE DJ set, Sofar Sounds and the audiences and families gathered around Canada Dock.
Brief
Round the Dock was a six-week summer programme that turned Canada Water into a hub of free culture by the water, running from 23 July to 30 August 2026. Weekend markets with local traders, weekly live bands on the dockside, the Dockside Den family zone, and weekday evening sessions such as salsa classes and workshops gave residents, the local workforce and visitors from across London a reason to come back every week.
The programme spanned the Craft & Flea market, Salsa evenings, Spit Night, Pints of Knowledge and the Dockside Den family zone, and Vivid Squad was commissioned to photograph the campaign. For the live programme on the dockside, the brief asked for imagery that was vibrant, inclusive and community-focused: the energy of the performances on the floating stage, families enjoying the water's edge, and the audiences that gathered on the steps. Every set needed to reflect the wide mix of people the festival brought to the dock.
What We Delivered
- Spit Night & live music coverage
- Audience & family moments by the dock
- Same-day hero images for social media
- Batched, tagged galleries for the asset library
About the Project
A campaign that runs for six weeks needs photography that works across every channel it will appear on, so we shot to a deliberate mix. Landscape and portrait frames gave the marketing team versatility for web, print and social. Wide-angle images showed the scale of the dockside and how busy it became. Candid close-ups captured genuine moments between people — a poet mid-verse, friends laughing on the steps, a young child dancing with family on the dockside. And contextual frames, with the dock seen through the trees and from elevated viewpoints, showed Canada Water as a green, waterside destination rather than just an event space.
Two days show the range of the programme. On 11 August, Spit Night brought spoken word and a live band to the floating stage on Canada Dock: we photographed poets reading to the crowd, the band on saxophone, keys and bass, and an audience spread across the dockside steps in the evening sun. On 16 August, Sofar Sounds presented Caleb Kunle on the floating stage, and Norman Jay MBE — a founding figure of London's Good Times sound system — played a one-off DJ set to families relaxing by the water. Wide views across Canada Dock and frames shot through the trees placed every performance in its setting — a stage on the water, surrounded by planting and new homes.
Photographing families in a public programme comes with responsibilities, and consent was built into the way we worked. Photography notices were displayed on site before each session began. Where individuals — particularly children and families in the Dockside Den — were the main focus of a frame, we secured consent forms; images where people could not be identified, such as the backs of heads, were the only exception. That process let the client use the imagery with confidence, without losing the natural, unposed feel the brief asked for.
Delivery was designed around how the campaign actually used the content. Selected hero images were delivered straight away so the Canada Water team could post in real time while each event was still happening. Full galleries then followed in batches, grouped by activity, such as Spit Night or live music, and uploaded to the client's digital asset library.
Every asset was tagged to a consistent metadata hierarchy: core campaign tags (Canada Water, CW, Round the Dock, Summer Enlivenment, Weekend Entertainment), a location tag such as Canada Dock or the specific indoor venue, and an activity tag for the session. For a programme generating hundreds of images across six weeks, that structure is what makes the library usable months later — anyone on the team can find the right salsa shot or market wide in seconds.
On site, the crew worked from the Dock Shed as a base and met the estate's health and safety requirements in full, submitting Risk Assessment and Method Statements (RAMS) and proof of Public Liability Insurance before access. It builds on our long relationship with Canada Water, from the Boardwalk launch to the London Marathon 2026 activation on the same dockside. The festival's Craft & Flea market is covered in its own case study.
Project Details
- Client
- British Land
- Location
- Canada Dock, Canada Water, London SE16
- Festival
- 23 July – 30 August 2026
- Deliverables
- Same-day hero images · Batched galleries · Tagged for the asset library
- Services
- Event Photography · Lifestyle Photography · Social Media Content
- Explore Services
- Event Video Production →Commercial Photography →
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FAQ
Common questions
Do you photograph family events and children in public spaces?
Yes, with a clear consent process. For Round the Dock at Canada Water, photography notices were displayed before each session and we collected consent forms wherever children or families were the main focus of a frame. Only images where people couldn't be identified were exempt.
Can you deliver photos during an event for live social media?
Yes. We deliver a selection of hero images on the day so your team can post while the event is still happening, then follow with the full edited gallery.
Can you upload and tag photos for our digital asset library?
Yes. For Round the Dock we delivered galleries in batches by activity and tagged every image to the client's metadata hierarchy — campaign, location and activity tags — so the library stays searchable long after the campaign.
Can you cover a multi-week festival or summer programme?
Yes. We photographed Canada Water's six-week Round the Dock festival across Spit Night, live music on the floating stage, the Craft & Flea market and family moments around the dock, keeping a consistent style so the whole campaign's imagery works together.
Do you photograph artists and DJs at festivals and live events?
Yes. At Round the Dock we photographed Norman Jay MBE's DJ set, Caleb Kunle's Sofar Sounds performance and the Spit Nights Poetry poets and band on Canada Water's floating stage — working around the performers and the crowd without getting in the way of the show.
What paperwork do you provide before shooting on a managed estate?
We supply Risk Assessment and Method Statements (RAMS) and proof of Public Liability Insurance before access, and work to each estate's on-site procedures.
Next case study
Craft & Flea Market 2026 — Canada Water





